Andrew is not wedded to any particular style or topic matter. He's enjoying a journey of artistic development. Although he can turn his hand to most mediums, he feels most at ease with pencil/pen drawings or acrylic paintings.
His current work seeks to meld 'topic' and 'narrative' using composition, colour and tonal drama, with acrylic on stretched canvas, to tell a story through the painted image. Andrew also cherishes simple fast drawings as vehicles to explore and understand space. His journey is one of both an intellectual hunger for complexity, and a child-like revelling in the simple joy of art.
“I want my work to be attractive to the eye and experienced at many levels, both scholarly in creation, and bringing joy to the viewer."
His journey is thus one of both an intellectual hunger for complexity, and a child-like revelling in the simple joy of art.
Andrew is strategically planning his direction of travel such that when he retires from the architectural workplace he will paint, draw, exhibit and open a small provincial gallery to show his work and that of like-minded artists - 'a place of flourishing ideas'.
"I envisage my journey as walking carefully across a landscape - a terrain of features, events and landmarks. Moving first through varied topics as vehicles to develop and enhance my skill, then to landscapes and seascapes, and then ultimately to portraiture and recognition from the Royal Watercolour Society. In the long term, I want the narrative in my work to migrate from 'local' to 'global' topics - climate change, migration, resources, ageing, pandemic, governance, conflict, scientific development, space travel. I want my work to be attractive to the eye and experienced at many levels - scholarly in its creation but gaining its 'value' through giving a simple joy to the viewer".
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